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Robert Rauschenberg 1973 Horsefeathers Lithograph


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Robert Rauschenberg 1973 Horsefeathers Lithograph

This lithograph print by Robert Rauschenberg is titled Horsefeathers. It is subtitled “The Football Player” and comes with a Certificate of Authenticity.


  • Artist: Robert Rauschenberg
  • Title: “Horsefeathers 13 – IX” / Subtitled “The Football Player”
  • Limited Edition:  41/74
  • Print Dated:  1973
  • Print Classification (document included): color lithograph/screen/pochoir/collage/embossed
  • Acquisition:  Through Men’s Committee of Pasadena Art Museum 
  • Includes:  Certificate of Authenticity dated January 26, 1973
  • Image Size: 22″ tall x 28.75″ wide
  • Framing:  Gold metal frame with glass. Professionally framed. Ready to hang.
  • Medium: Lithograph with screen printing, embossing and collage pieces on deckle paper



About the Artist Robert Rauschenberg

Robert Rauschenberg worked in a wide range of mediums including painting, sculpture, prints, photography, and performance, over the span of six decades. He emerged on the American art scene at the time that Abstract Expressionism was dominant, and through the course of his practice he challenged the gestural abstract painting and the model of the heroic, self-expressive artist championed by that movement.

Born in Port Arthur, Texas, Rauschenberg studied at a variety of art schools including the experimental Black Mountain College outside of Asheville, North Carolina, where the artist and former Bauhaus instructor Josef Albers was his teacher. There, his mentors and collaborators included the composer John Cage, the artist Cy Twombly, and the choreographer Merce Cunningham, with whom he would collaborate on more than twenty dance compositions. Rauschenberg’s engagement with performance was enduring and a defining influence in his work.

As his career began to gather steam in New York in the mid-1950s, he also began a crucial dialogue with the artist Jasper Johns that shaped the work of both. Together, the two artists pushed each other away from defined models of practice towards new modes that integrated the signs, images, and materials of the everyday world.


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